That's right, Gustav is back from Moorea (again), and you know what that means...buckets! Buckets and buckets of baggies and vials of specimens that need to be rehoused and stabilized in ethanol. I got a picture of a portion of it.
:) Mandy
A blog about the field and lab adventures of the Invertebrate Zoology division at the Florida Museum of Natural History.
The Moorea Biocode project is currently hosting the photographer David Liittschwager (http://www.liittschwager.com/). His amazing works have been showcased in the book "Archipelago: Portraits of Life in the World's Most Remote Island Sanctuary", which he co-authored with Susan Middleton. He has a few projects he is working on that document coral reef organisms, so he is collaborating with the Marine Invertebrate Group of the Biocode project and the Invertebrate Zoology department of the Florida Museum of Natural History. He has spent the last week or so taking the most interesting and beautiful creatures from our collections into a lab-turned-studio and coming out with intensely detailed portraits of a fauna rarely seen, let alone celebrated.
One of his projects will be coming out in the February issue of National Geographic.
It has been a treat having him around, lending an artistic perspective to a world view dominated by scientists.
-Seabird
For the last few years our lab has been involved in putting ARMS on reefs. These are Autonomous Reef Monitoring Structures. The idea was to come up with a standardized unit to measure reef biodiversity. Each unit consists of PVC plates, spacers, and some wire mesh. The whole thing is anchored to the reef, and left to sit and get settled for a full year.
With Creefs back at Heron island for another season of biodiversity surveying, it was time to pull out the ARMS that had been placed last year. The video is of Shawn removing an ARMS from the bottom, and carefully boxing it and carrying it to the surface.
Taking them apart and sampling them fully is time intensive- and quite a few of the species we have gotten so far have not come from any other method of sampling, including the "Muppet Crab" featured at the bottom of the post.
-Seabird
The ARMS is carefully released from it's box....
The layers are unbolted
The mesh layer is on top.
Then several PVC layers
Everything is brushed carefully and all obvious creatures and plants are removed.
Everything is carefully rinsed and the rinse-water strained for small organisms
And then the specimens are carefully sorted to species in the lab.
And the treasures appear!
First impressions of the Southern Great Barrier Reef: Diversity is high, with a few species familiar to us from Polynesia, but most are new. Decapod abundance seems lower in comparison, but that could just be the microhabitats that we dove on yesterday. One thing does appear to occur in serious abundance: parasitism. In the samples from Biocode on Moorea, it is an unusual occurance for us to encounter a parasite on a crustacean or seastar- perhaps one in one hundred. Here in Australia the rate seems much much higher- perhaps one in five.
Here is an externally parasitic snail, Thyca, on the seastar Lincka multiflora
And here is an internally parasitic snail, Stylifer, on the same species of seastar.
Understanding the pattern behind these differences is the trick. Part of it may be that diversity begets diversity, creating what Phillipe Bouche has called "the russian dolls of biodiversity." This is where one organism may have a commensal organism living with it, that commensal may have a parasite, and that parasite may have a parasite. We certainly see it with coral, where one species of coral may host many symbionts and each of these may have their own set of commensals and parasites. By increasing the number of species of structural species (corals in this case, but could just as easily be trees in a rainforest) by one, we increase the over-all diversity by many.
This Pink Coral Guard Crab (Trapezia serenei) is a good example. It lives exclusively in one family of corals. If you look at the carapace, you can see that it is asymetrical. In this case that is indicative of a Boporid- a crustacean parasite on crustaceans that has infected the crab.
-Seabird
What can you find in the photo above? Many of the organisms that our group studies are cryptic- hidden in their environment. Sometimes a trained eye can spot them- a slightly different texture, motion slightly out of sync with the rest of the setting- but most of the time we swim right past, just like everything else. When people think of the biodiversity of a coral reef, most think of colorful fish, or the corals. Yet the real bulk of diversity, and some of the most amazing creatures are the little things, the hidden things.
An interesting idea to think about is the coloration of reef creatures. Out of their habitat, some appear very colorful- almost psychedelic. But when placed on the reef with it's complex colors and shapes, they disappear. A good example of this is the shrimp Saron, photo below.
Both crabs and shrimps are very good at hiding, and several families of each group have specialized in crypsis, or camoflaouge. The family Majidae, or 'spider crabs' are a great example. Some members of this group are known as 'decorator crabs' because they gather material from the world around them and attach it to their shell and legs in order to hide.
Others, such as the shrimp family Crangonidae, rely on the coloration of the body itself to provide the protection. Can you find the shrimp in the photo below?
So how are you doing with that photo at the top? Here's a photo of the Leucosid crab that is in sand. See it now?
-Seabird